Bio

I am a Dutch-Danish writer and visual artist, raised between London and Denmark and currently based in Scotland. I graduated with a BA (Hons) First Class with Distinction from Glasgow School of Art in 2012, where I also work as a Library Assistant and Visiting Lecturer.

An award-winning selected artist for the Royal Scottish Academy's New Contemporaries 2013, I was subsequently featured in the prestigious Catlin Guide, an annual catalogue of the 40 most promising UK art school graduates.

In 2014, I co-curated "Part Seen, Imagined Part", a Glasgow School of Art graduate exhibition about loss and resilience following the fire that devastated the institution's world-famous Mackintosh Building. I continued my curatorial practice with the Scottish Mental Health Arts Festival for three years, which included the selection and presentation of "Good Grief", a short film programme intended to encourage conversations about mortality.

My experimental documentary film, "The Third Dad" was commissioned by the Scottish Documentary Institute, Creative Scotland and Channel Four in 2014. It premiered at Edinburgh International Film Festival the following year. Winner of a BAFTA Scotland New Talent Award, the film was also named Best UK Short at London’s East End Film Festival and has screened at more than 25 film and moving image festivals worldwide. After being selected as a Vimeo Staff Pick in 2017, "The Third Dad" has garnered close to 400,000 online views.

My most recent site-specific installation "Ghost Light" was created in 2017 as a commission for Edinburgh's acclaimed Hidden Door Festival, which aims to open up disused urban spaces as a platform for new and emerging artists.

In 2019, I completed an MLitt in Creative Writing with Distinction at the University of Stirling supervised by Scottish poet and writer of nonfiction Kathleen Jamie.


Statement

My multidisciplinary practice is inspired by liminal spaces and autobiographical histories. Employing a range of media from photography, film and text to sound, textile and installation, I aim to express ideas concerned with the afterlife, grief, memory and mortality. My works often re-imagine and reanimate appropriated materials culled from the natural world as well as objects or technologies that are considered useless or obsolete.

As a writer, I'm excited by experimental and hybrid forms such as essays and erasure poetry that blur the boundary between art writing, poetry and creative non-fiction.